Halloween Read: “This House is Haunted” by John Boyne

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house is haunted

A lovely, old-style ghost story, with echoes of Dickens and James.  Perfect if you’re in the mood for a Halloween read with a classic feel.  It’s old-fashioned and creepy, relying on a sense of foreboding to up the scares.

Following the death of her father, Eliza Caine takes a governess position at Gaudlin Hall in Norfolk.  Right away, the strangeness begins–there are no adults anywhere at the Hall, and the children have run through several governesses.  Something is clearly very wrong.  The more Eliza learns about the history of the house and its family, the more dangerous the situation becomes.  Eliza must figure out how to stop whatever force is in the Hall before she and the children become victims.

This story is very rooted in its time and place (London and Norfolk in 1867), so you might enjoy it as an historical novel as well.  The atmosphere is rich, and it’s poignant and melancholy on top of being creepy–as the best ghost stories are.

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Halloween Read: “Every House is Haunted” by Ian Rogers

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everyhouseishaunted

Every story in Every House is Haunted is like an eerie short film.  There are haunted houses, sci-fi experiments, and psychic powers.  What ties everything together is Rogers’ cinematic, absorbing style, and great ear for dialogue.  You’re dropped into these little snapshots of surreal horror, which makes them all the weirder and memorable.  It’s like watching The Twilight Zone.

A cat goes to great lengths to be of service to his household.  An odd sort of spider infests a house through the TV set.  A haunted house is so dangerous it’s on a paranormal watch list.  A group of explorers set forth into the gray boundary between life and death.  A mysterious facility in the desert deals in ancient, dangerous boundary-breaking.  A man inherits the old family house…along with its long-buried secrets.

And that’s just a taste.  There are twenty-two stories in this quirky collection.  A lot of them would be perfect Halloween read-alouds.  Surreal, entertaining, deftly told, this collection has a Halloween treat for everyone.

 

 

“Audrey’s Door” by Sarah Langan

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Sometimes all you want to curl up with is a good old-fashioned haunted house story brimming with creepy imagery, unsettling atmosphere, and a main character who’s not quite all there.  Audrey’s Door by Sarah Langan delivers.

audrey's doorAudrey Lucas, an architect with a lot of baggage, is on the hunt for a place to live in New York.  Apartment 14B in the historic Breviary building on the Upper West Side is available at an astonishingly low price.  Even though she thinks it must be too good to be true, Audrey can’t pass up the opportunity to live for cheap in such a unique building–it’s the last standing example of the Chaotic Naturalism school of architecture.  Never mind the fact that just recently a woman murdered all of her children in that same apartment, and then killed herself.  And never mind the fact that Audrey immediately begins to have strange, vivid nightmares, and hears a voice telling her to build a door.

Fans of The Shining and The Haunting of Hill House will find a lot to like in Audrey’s Door.  In fact, Langan gives those works and a few others their due in a note at the beginning of the book.  Gloomy corridors, a protagonist on a downward spiral that’s seemingly impossible to stop, a building with a mind of its own, and when the terrifying insanity ramps up, it ramps up.

Like the Overlook Hotel and Hill House, the Breviary is a character, complete with motivations and personality.  It’s such a strong entity that it can’t help but overcome any human beings who come into contact with it.  Langan takes the time and care to give the Breviary’s backstory just as much attention as she does Audrey’s, which works to build the connection between the building and its chosen favorite.

That’s what separates the good haunted house stories from the so-so ones–the good ones make sure the house has a personality and a history, a reason for being the way that it is.  A haunted house doesn’t just have ghosts or ghoulies in it.  A haunted house has an energy, a force, one that turns our cozy idea of hearth and home on its head.  That’s why they’re scary, after all.  You’re supposed to feel safe in your home.  When your home is insane, there’s nowhere to hide.

As much as Langan might owe to haunted house classics, she has a style all her own.  She has a great talent for writing compelling protagonists and for truly disturbing and creepy imagery.  Her writing is very character-driven, and everyone has a strong voice and personality.  Audrey’s descent into madness is a chilling one to witness.  Langan is also darkly funny at times, too, which always makes a welcome counterpoint to the scary.  There are also some very well-placed New York City references and nods, which add a nice sense of place.

If you’re after a cozy, old-fashioned spook house book for Halloween this year, Audrey’s Door might be a good one to try.

–Marie

Haunted Houses

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Hey, fellow Halloweenies, look what’s up out on the opposite coast:

haunted house

Intriguing!  Tell me more, Los Angeles Times:

After signing a waiver and getting locked inside the 17th Door haunted experience, you’ll need to remember three things: Each of the 17 rooms is more intense than the last, the monsters will touch you and the safe word is “mercy.”

And what lies behind the 17th Door? Your greatest fears – and one of the most anticipated haunted experiences of the Halloween season in Southern California.

Southern Californians Robbie and Heather Luther are the masterminds behind The 17th Door.  Neither have any horror background, but they had a dream of creating an immersive haunted house experience after visits to several haunted mazes.  Their intent, as quoted in the LA Times, is to disturb, terrify, and occasionally offend visitors.  Judging by the articles I’ve read, they’re succeeding.

The set-up, again from the Times:

Set at a medical college, the 17th Door’s well-developed backstory follows a troubled student named Paula who battles a host of demons ranging from drug abuse and an eating disorder to bullying and suicide. Paula’s personal demons show up as physical manifestations in the college’s classrooms, dormitories, cafeteria, library and locker room. Sometimes Paula is in the room with you and other times you view the scene from Paula’s point of view.

The 30-minute experience unfolds in 17 locked rooms that rival movie sets for their intense attention to detail. Visitors will be pulsed through in small groups of approximately eight people and spend about 90 seconds in each room. And there’s a good chance you will get wet – either from a putrid toilet or by a monster’s tongue.

Ew.  Too spooky for me.  I’d rather sit at home and read haunted house stories.  I like my thrills and chills at a safe remove and without any tongues.  If you feel the same way, here’s a post from a couple Halloweens ago which talks about ghosts and haunted house stories. You could also check out my posts about The Unseen by Alexandra SokoloffRooms by Lauren Oliver, and The House of Small Shadows by Adam Nevill.  I’ve also just finished a wonderful haunted house story by Sarah Langan, called Audrey’s Door.  I hope to have a post up about it this week!

The rest of you braver souls can have a look at the website for The 17th Door.  Find it here.  You don’t need to sign anything, but brace yourself for creepy imagery.

–Marie

Marie’s Reading: “The House of Small Shadows” by Adam Nevill

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small shadowsAdam Nevill’s wonderfully crafted, nightmarish horror-show The House of Small Shadows is one of the best Horror novels I’ve read in a while.  To the point of being too scared to sleep after I stayed up late reading it.

An antiques valuer named Catherine is sent to the Red House to catalog the collection of World War I veteran M.H. Mason, a taxidermist known for his dioramas of preserved rats enacting battle scenes from the Great War.  Mason’s niece, Edith, cares for the collection, which also includes child-sized marionettes and an intricate stage for them to perform on.

The more Catherine learns about Mason’s life and work, the more diabolical and mad it all seems.  There’s a darkness still lurking in the house, a mysterious secret that Catherine is drawn into and unable to avoid uncovering.  There’s a sense of something like destiny to the proceedings, an inevitability which adds to the stifling, uneasy atmosphere.

Add in Catherine’s traumatic childhood (lots of bullying and the mysterious disappearance of her best friend), as well as her recent mental breakdown, and it’s a perfect storm of madness at the Red House and the village of Magbar Wood.

Trauma, and the inability to cope with it, is threaded all the way through this novel.  Mason worked through his PTSD with his horrific dioramas, and Catherine still suffers from the mental and emotional consequences of her childhood.  The darkness lurking behind Mason’s work, and its sinister connection to her own past, makes her mental state even worse–to the point where the reader has no idea how much is real.

Horror is all about creating a pervasive sense of foreboding and unease, to instill a feeling of terror in the reader.  Nevill is extremely skilled at this.  The plotting is secondary to the images he crafts.  The taxidermy is creepy enough on its own, but the descriptions of the abandoned village, the puppets, the “cruelty plays,” the collections of photographs, and what’s hidden in the attic are all vivid and disturbing and make you feel as passive and swept-up in madness as Catherine is.  It’s compelling and well-paced, with the tension mounting as the story goes on.

The ending of the book descends into an intricately constructed bit of controlled chaos.  The uneasiness turns into terror as you try to decide what’s real and what isn’t, right down to the open ending.  You’re left shaken and wondering what just happened.

You might want to turn to classic horror for readalikes for this one.  Shirley Jackson was in my mind as I read–The Haunting of Hill House in particular.  The creepiness comes from uncertainty and mental instability, as well as an oppressive and menacing atmosphere, just as in The House of Small Shadows.  Richard Matheson’s Hell House, with its dark secrets and tension and sense of being trapped, might also appeal.  F.G. Cottam might be good to try as well–start with The House of Lost Souls, which involves a years-old crime and an enigmatic photographer.

Remember The House of Small Shadows for Horror Month, folks!  I’m rather certain it will play a role in the upcoming fourth installment of Marie’s Favorite Scary Books (title TBA).

–Marie

Marie’s Reading Two Haunted House Stories

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…that aren’t.  Not really.

No spookiness or bumps in the night or bleak atmosphere or threat from beyond the grave.  These books are about spirits instead of ghosts, if I can make that distinction.  The spirits of both the living and the dead, and how they intersect, and how thin the boundary between the quick and the dead really is.

RoomsRooms by Lauren Oliver is about secrets and loss, death and change.  Heavy themes, but the book itself manages not to be.  At its heart it’s a story about family and connection.  After Richard Walker dies, his estranged family returns to their house.  Already in residence, though, are Alice and Sandra–two women who died in the house and are still there, spirits trapped within its walls.  Eventually the two worlds collide, but not in the way you might think.

This novel is compelling and intricately plotted with a pace that intensifies as you go along, but the real strength of this story is the cast of characters.  Their voices are memorable and finely tuned, and they never fail to come across as fully human.  They all have their secrets which bind them, and they all are desperate to free themselves, whether they’re living or dead.  There are some genuinely moving moments, and a sort of understated poignancy to the proceedings of this story.  If you like your ghost stories bittersweet and just as much about living as dying, give this one a try.

 

hundred year houseThe Hundred Year House by Rebecca Makkai is another tale of secrets, and of unlikely ghosts.  Spanning a century in a stately home that once housed an artists’ colony, the narrative moves backward from 1999 to 1900, all the while peeling back more layers of the story and letting secrets come to light.

The construction of this novel is wonderful and fresh (I’ve grown so used to bouncing back and forth in a timeline, it’s fun to see a backward one!), and I love Makkai’s quirky sort of tone, one-liners, and the way she presents imperfect relationships just as much here as I did in The Borrower.  This would be a sort of “out-of-left-field” suggestion for readers who like Kate Morton–you might enjoy Makkai’s take on unraveling secrets and exploring slightly…well, odd relationships.

–Marie

Marie’s Reading: “Starter House” by Sonja Condit

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starterhouseThis is a Saturday Afternoon Movie in prose form.   That’s not a criticism, merely the best way I can think to describe the general vibe of this novel.

It’s got a nice even pace, some creepy imagery, a couple laughs, and a few scenes to tug the heartstrings.  The characters are flawed but not too terribly complex.  There’s also enough suspense and mystery to keep you going through to the end, which boasts a reveal that’s a bit out of the ordinary.  It’s not absorbing, but it is compelling.  The structure is cinematic, going from scene to scene and character to character in a nice linear way.

That’s what I mean by a Saturday Afternoon Movie feel.  I was completely absorbed for a few hours, got my entertainment and my suitable ending, and then it was time to go do something else.  Sometimes, that’s just what you need. Continue reading