Horror Month is only half a year away! Time to get started on the creepy reads so that I can share them with you come October!
A great place to start is with this year’s Stoker Award nominees. The Bram Stoker Award is given by the Horror Writers Association, and celebrates excellence across eleven different categories of horror writing.
Heredity (Hereditary. I was so terrified I typed it wrong) which I have been too scared by the trailer to see, is up for Superior Achievement in a Screenplay. Two picks from this past Halloween, Unbury Carol and The Cabin at the End of the World are both nominated, as is Zoje Stage’s Baby Teeth, which I loved but was so the wrong thing to read as a new mom.
I’m looking forward to picking up The Rust Maidens by Gwendolyn Kiste and The Moore House by Tony Tremblay.
If you’re going to be in Grand Rapids, Michigan this May, you can attend StokerCon and see the awards in person. Josh Malerman and Jonathan Maberry will be there! http://stokercon2019.org/
Is it ghosts? Or is it madness? Or maybe a little of both?
The Ghost Notebooks follows Nick and Hannah, a newly engaged couple at a crisis point in their lives and their relationship. Their careers are stagnating, and so is their bond. In hopes that a big change might help them out of their rut, they take jobs as caretakers for a house museum in upstate New York.
From the first, there’s something eerie and secretive about both the town and the house. The museum was the family home of a 19th century writer and philosopher who, it’s rumored, dabbled in spiritualism. As the days wear on in this remote and creepy new place, Hannah starts to unravel. She stops sleeping, hears voices at night, and becomes obsessed with researching the house and the writer. Nick can only stand by as something tragic happens.
While there’s some occult and spiritualist elements here, this is less a story about a haunting than it is about minds in crisis. Is Nick a reliable narrator? Is something nefarious going on? Or is everything seemingly supernatural simply the result of grief and trauma?
The narrative voice is often wry and funny, and there are a lot of humorous moments balanced against the heavy ones. If you enjoy just a maybe-sprinkling of ghosts around Halloween, or you’re fascinated by how human minds might create ghouls and goblins, give this one a look!
Fans of the trippy, menacing, and occult, take note of Slade House for this Halloween. It’s a haunted house story with a little something extra.
Down a little side street near a pub, there’s an old house called Slade House. However, it’s not there all the time, not anymore. Just once every nine years or so, when the brother and sister who live there invite someone inside. And then never let them leave.
I don’t want to give away too much of the intricate plot, but I will say that the story spans decades and tells the story of several of the “guests” of Slade House. It’s reality-bending and very creepy. And once you know what the stakes are, the constant uneasy and confusing atmosphere becomes threatening.
Slade House is compelling, intricate, and has a great atmosphere of danger and confusion. If you like haunted house stories with a twist, give this a look!
If you’re the type who likes to curl up with a twisty, suspenseful Hitchcock flick on Halloween, here’s a novel you should try!
Anna Fox lives as a recluse in her New York City home. She spends most of her time watching Hitchcock movies, drinking, and spying on her neighbors. Then one night she thinks she witnesses a murder in the house across the street. From there it’s a downward spiral into trying to decide what’s real and what isn’t, who’s lying, and what Anna actually saw that night.
Anna isn’t very likeable, nor is she very reliable, but she’s compelling to read about. The Woman in the Window is a page-turner of a thriller, with quite elegant writing and an absorbing narrative voice. The twists and turns and reveals of the book are a slow build, and there’s a constant air of uncertainty and menace as events unfold.
The references to Hitchcock movies and other thriller/film noir pieces abound, and the book really does have the feel of a black and white psychological suspense film. Perfect for unsettling you on a Halloween night!
Nothing like some good old-fashioned paranoia and body horror come Halloweentime!
The Troop follows a group of scouts on a camping trip on an island. Scoutmaster Tim takes the troop out every year for a three-day camp in the Canadian wilderness. And this year, there’s a ravenous, sickly something at the campsite with them–and this something was created to infect as many people as possible as quickly as possible.
The scares in this story come both from the goriness of it (and it’s pretty cringe-inducingly gross!) and from the paranoia and claustrophobia of the island. The boys in the troop quickly find themselves on their own and open to infection–who’s still safe? Who’s been infected? Can they get themselves safely off the island, or are outside forces going to keep them there? It’s very reminiscent of the classic The Thing, though our monster originates far closer to home.
The Troop is a profoundly creepy and unsettling book, in the very best possible way. The characters are great, too–you’re really invested in each of these boys (uh, except one, but I won’t spoil it), and it’s both scary and sad to watch them all fight it out and try to survive.
If you’re an old-school Stephen King fan, definitely give Cutter’s work a look!
Graveyard iconography is everywhere at Halloween–from decorations to haunted history tours to hanging around in cemeteries on Halloween night to see if there are ghosts. Particularly here in New England, where in some places you can’t even take a walk in the woods without tripping over an old boneyard.
The American Resting Place examines the history of the graveyard in America over four hundred years, moving chronologically. She talks about Native American practices as well as those the many different kinds of colonists brought along with them.
The overall vibe of this book is one of peace, reflection, and restfulness. The photographs, taken by Yalom’s son Reid, are beautiful–all different sorts of American graveyards are represented.
Striking photographs, fascinating history, and the feeling of taking a nice (if slightly macabre) walk–if you can’t make it to a local cemetery tour this Halloween, this book is the next best thing!